Yeah, Bruce did it all 1st... recording gtrs a string @ a time, overdubbing cymbals, breathy gang vocals, he did it all.
Mutt's got nothin' on this genius.
And to think...
All this time the general, listening public thought that B.O.C. sold their souls to Satan [] to get those eerie musical undertones! Well, now we know...
It was Bruce, a cowbell, and the *magic* of parallel compression! Incredible stuff.
do you don't care about parallel comp distortion? or you remove it with an eq before comp?
do you eq the parallel channel in solo or with the dry one? i'm starting eqing it with the dry one, than i've reading that all equing it in solo, so i've change my plans.. the only great result i've obtained is setting and eqing it in solo.. and i've removed some mids 250hz 6/700hz and boost a bit 100hz and 5000hz, than lp i don't remember where and hp at 30/50hz
but maybe there is some other one that eqing it with the dry one.. just to know.
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Gearwire.com Drum Mixing Tutorial: The best way of course is an oscilloscope... but, we don't have that, we don't have that here, so we have to use our ears...
Re: What the hell is parallel compression?
] to get those eerie musical undertones! Well, now we know...
Linear Mode
